HOW "I" C.A.R.E.
For the past ten years I have been on an incredible journey. My history as
a social activist from the 60's has been rewritten to portray a community art
activist and educator. The people I have met on this trek are some of the most
giving people I have ever been honored to know. Their interest in a peaceful
world is of primary importance. Their manner of reaching this balance and
harmony is through positive creative expression and tolerance for persons
of multiple cultures.
The beginning of my journey was as a program developer for a group of artists
who were very concerned about Community Transformation Through The Arts. From
this planning position an opportunity arose for me to design and implement a
Literature Based Arts Program for inner city youth. This six-year period
brought for me many emotional rewards by working with both youth and caring
adults. I interacted with persons from educational institutions of higher
learning and grass roots arts organizations. I learned that children and
adults in other than academic settings deserve and require arts experiences
that are significant and relevant to their lives. (The arts have a way of
transforming anyone in ways that are still not completely understand: physically,
intellectually and emotionally.) This website has attempted to document just a
few examples of Arts for Community Transformation.
There is one community example which I have not yet given credit. That is
acknowledging the power of cultural sites and museums to integrate the needs
of a community. My current volunteer position in the art world is working
with The Bead Museum in Glendale, Arizona. The facility has been in operation
for less than a year. Under the guidance of a managing director, staff and
Board of Directors this cultural site is outreaching to help unite the developing
city consisting of persons from middle and lower incomes and culturally diverse
backgrounds. Through the diversity of beads and their importance in the "Human
Story" as adornment, currency, status and power symbols, and protective and
ritual objects relevancy to a museum visitor's own life is being connected and
validated. Please take the time to link to The Bead Museum website.
Judy Butzine, following a tour of The Bead Museum, discusses the power of ritual
and ceremony in our lives and the need to reconnect to it. The display case on
prayer beads, rosaries and talismans from around the world presents the documentation
and examples of this concept. Visitors later create their own "power bracelets"
that are strung with specific beads which are designated with certain ethereal
qualities.
An ornament and fiber arts class taught at the magnet arts high school won
multiple awards for this student in city art competitions. The Bead Museum
staff provides opportunities and beads for students to explore new art expressions
with meaning back to their own lives. These same youth's artworks were exhibited
in The Bead Museum for the community inclusive of other youth to enjoy.
A teacher of enrichment programming, also a Bead Museum member, brought her
students to the museum for a tour and art-making activity. The participants
washed gourds covered with soil right from the earth, sanded and whittled sticks
for handles. They later designed and painted the gourds, then beaded them. Before
each session the members sat in the "Circle Of Power" listening to rattle music
from around the world. Each student shared their own story of family ritual.
The rattles became instruments of
those shared stories and traditions sometimes lost.
The circular bead is a metaphor for the circle of energy contained in
the "Beading Experience", which can be taken home and shared with family and
friends. Many participants said they learned things about their fellow
students they had never known.
The rattles were later displayed at The Bead Museum to Honor and Celebrate
the creative energies of these students and their teachers. Please e-mail me
your story of Community Arts. jhb6@mindspring.com
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